Showing posts with label electro-pop. Show all posts
Showing posts with label electro-pop. Show all posts

Sunday, 29 May 2016

Glastonbury 2016 - The Ones To Watch - T-24 Days: Years & Years

Image result for years & years

This is undoubtedly the most 'pop' and/or 'popular' act I'm going to recommend in the countdown to Glastonbury. I make no apologies for that - there's always been a place on my shelf got the sort of top quality synth-pop that these guys make, from Bronski Beat and Erasure to Royksopp, Robyn and beyond, I've always been a sucker for a great melody with an electronic background.



On top of that I've got a lot of time and respect for frontman Olly Alexander. he's outspoken 9for the right reasons), good to his fans, and seems like a genuinely decent human being.



Just imagine some of these hits being pumped out in the sunshine on the Pyramid stage - it's going to be one of those feel-good Glastonbury moment that you remember for years (& years).


Wednesday, 18 December 2013

Albums of the Year 2013

I reckon it's been a pretty vintage year for music, which has made the task of compiling this list even harder than usual. But there comes a time when you have to stop prevaricating and just crack on with it, so below you'll find my top 10 albums of the year, plus a bonus selection of records that all nearly made the cut.

1. Apparat - Krieg und Frieden (Music for Theatre)
Originally written for a German theatre production of 'War and Peace', the music evolved so much that Sascha Ring (Apparat) decided that it deserved a life of its own. Amazingly intense and powerful, but shot through with moments of fragility, it conjures up fantastically bleak images in your mind. Click here for the full review.



2. Daniel Avery - Drone Logic
A brilliant set of electronic dance music from Daniel Avery. It's clear that his time as a DJ has influenced the way he put the album together, but unlike certain 'superstar DJs' Avery is a real musician who understands the need for melody and variation in amongst the bass-driven floor fillers, The heir apparent to Andrew Weatherall, who described Avery's music as 'gimmick-free machine-funk of the highest order'.



3. Kanye West - Yeezus
The polar opposite of its brilliantly grandiose predecessor 'My Beautiful Dark Twisted Fantasy', Yeezus is short, concise, and brutally to the point (an approach that even extended to the artwork). With tracks like 'Black Skinhead' and 'New Slaves' the honest, insistent and controversial lyrics more than match the power of the music, and once again he proves he's ahead of the game by bringing in the likes of Evian Christ & Hudson Mohawke to produce tracks, as well as enrolling Daft Punk just at the point of their interstellar comeback.

4. These New Puritans - Field of Reeds
About as far removed from pop music as you can get, this is an album that deserves complete concentration and uninterrupted listening from start to finish. It's rare to hear a record that's so perfectly realised, where everything is exactly how it should be. Overall there's a sense of space to this record - it's hard to describe but you can just feel the space in the music, you can sense the absence of things where other artists would've layered sounds up.


5. Pet Shop Boys - Electric
A joyous return to form, their best album since 'Introspective', and the album that soundtracked my summer holiday. Managing to reference the classic PSB sound and yet still sounding contemporary (but not in a try-hard sort of way), their National Treasure status is only enhanced by tracks like 'Thursday' and 'Love is a Bourgeois Construct'. If they never make another album then 'Vocal', the last track on here, will be the perfect way to bow out.



6. The National - Trouble Will Find Me
I confess, on first listen I thought this was all a bit 'samey', but repeated listens have revealed it to be possibly the most complete album The National have yet released. The fire has returned to Matt Berninger's lyrics, while the Dessner brothers' work with other artists has brought fresh nuances to the music.Tracks like 'Graceless' have already become live classics, and this records shows that the band seems to have found the perfect balance of writing intimate songs that can satisfy packed festivals and stadia around the world.

7. Drenge - Drenge
My favourite new band of the year (long before Tom Watson MP jumped on the bandwagon), the two loveless brothers make music full of the energy and vibrancy of youth. Like The White Stripes if they really were siblings and Meg was a decent drummer, they show that, despite everything Seasick Steve's done to prove otherwise, there's a future for blues-influenced rock. And in case you're wondering, 'Drenge' (pronounced with a hard 'g' sound) is Danish for 'boys'. Click here for the full review.


8. Daft Punk - Random Access Memories
There was a lot of hype around this album, but that does't stop it being great. The things that stands out for me most of all is the quality of musicianship - you can hear that, once they had decided they wanted real instruments to be a part of this, they weren't going to settle for anything but the best. Single-handedly resurrecting the careers of both Giorgio Moroder & Nile Rodgers, this is the album that actually made me like (at least some) 70s disco. Click here for my 'Doin' It Right / Sexual Healing' mash-up.

9. Cloud - Comfort Songs
Walking a tightrope between optimism and despair, this is a record that simultaneously made me feel old and full of 14-year old teen angst, a record that you just want to put your arms around and hug and tell it everything's going to be alright. Click here for my full review, and read my interview with Tyler (Cloud) here.





10. Queens of the Stone Age - ...Like Clockwork
Proving that you don't have to be as young as Drenge to make a great rock record, '...Like Clockwork' is a classy, mature record showing that Joshua Homme has definitely got his mojo back. Full of highlights, from Dave Grohl's drumming to Elton John's brilliantly unexpected appearance on 'Fairweather Friend', the whole thing was topped of with artwork by young UK artist Boneface, who was flown out to make the art in the studio at the same time as the music.


Compilation Album of the Year - Cosmic Machine: A Voyage Across French Cosmic & Electronic Avantgarde (1970-1980)
Expertly researched and compiled, with sleeve notes from Jean Michel Jarre and Gaspard Auge from Justice and artwork by Philippe Druillet, this is everything you could want from a compilation album and more.






Also-rans and nearly-theres; on a different day any of these other albums might have made the cut:

  • Steve Mason - Monkey Minds in the Devil's Time
  • Jon Hopkins - Immunity
  • Dean Blunt - The Redeemer
  • Jagwar Ma - Howlin
  • Rudimental - Home
  • Public Service Broadcasting - Inform - Educate - Entertain
  • Seams - Quarters
  • Mogwai - Les Revenants
  • Villagers - {Awayland}
  • Nils Frahm - Spaces
  • Volcano Choir - Repave
  • Tim Hecker - Virgins
  • The Haxan Cloak - Excavation
  • Arctic Monkeys - AM
See - I told you it'd been a good year. Here's to an equally musical 2014!

Tuesday, 20 August 2013

Surprising cover version of the day - Tears For Fears do Arcade Fire

So I'm guessing quite a lot of younger readers might not even know who Tears For Fears are, but they were pretty massive back in the late 80s and early 90s. Apparently they're working on a new album but have decided to put this out in response to a number of cover versions and samples of their songs that have appeared recently.

If the choice of cover is surprising, then the way they perform it is even more so - electronic dance, with more than a touch of Hot Chip, and it's only when Roland Orzabal sings "now I'm ready to start" that you can hear echoes of the past. All in all a pretty good version, and one that hints at a very interesting return for the band.


Thursday, 11 July 2013

Track of the Day: 'Teenagers In Heat' by Holy Ghost!

It's a hot, hazy summer day in the city. What you need is the perfect soundtrack, something that brings together New Order-esque vocals with Phil Oakey & Giorgio Moroder 'Electric Dreams' instrumentation. To fill that need Holy Ghost! have kindly presented us with 'Teenagers In Heat', their new release on DFA Records. And then, like finding an ice-cream van at the end of the road dispensing complimentary 99s, they've given it away for free.

Listen and download below.

Sunday, 19 May 2013

Recommended music: 'Inform - Educate - Entertain' by Public Service Broadcasting


There's something quintessentially British about this record. It's not just that most of the samples are from old British documentaries and Public Information films (there are some American clips on here as well, especially on 'Signal 30' with its warnings of the perils of driving). It's not even the subject matter, although tracks about Spitfires, climbing Everest, and an inspection of the Royal Navy fleet (by what sounds like a tipsy Admiral) add to the sense of Empire and days gone by. It's just that the whole concept of making a record full of clips that might, as the title suggests, inform, educate and entertain you doesn't seem like the sort of thing that would emanate from, say, the United States.

Public Service Broadcasting live in Rough Trade East on Record Store Day 2013
Public Service Broadcasting (or PSB as they're often abbreviated to, although this risks confusing them with Pet Shop Boys) is really the work of one man, the gentlemanly-titled J Willgoose Esq. Live he's joined on stage by the singularly-named drummer Wrigglesworth, and together they play an eclectic mix of sounds and dialogue which is matched with black and white video footage. The music sounds a bit 80s retro (apart from the banjo (!) wherever that comes from, and is a good match for the even older voice clips. If occasionally there are some rather obvious samples (WH Auden's rail poem on 'Night Mail' for example) the rest still manage to sound fresh even after numerous listens. Overall it's the kind of record that brings a wry smile to your face when you listen to it - a bit like a well-behaved house guest it's interesting, polite, and doesn't outstay its welcome. You can hear some tracks from the album below.


Thursday, 4 April 2013

Track of the Day: 'Berlin Lovers' by Still Corners



Some sparkling new electro-pop from the Sub Pop label. From their second album 'Strange Pleasures' which will be out at the start of May, and full of unashamed '80s influences, this is an effortlessly elegant pop song, straightforward but not simple, short but not too sweet. Listen and download  for free above.


Tuesday, 19 March 2013

New music: 'Miasma Sky' by Baths



The lead track from Will Weisenfeld's new Baths album is a fantastic piece of electronica. It starts and ends in a very atmospheric way, and sandwiched in between are some gentle vocals over a great riff and and a club beat.

The forthcoming album is called 'Obsidian' and will be out in May on the always-reliable Anticon label.




Friday, 15 February 2013

New music: 'Tanlines' by Yunioshi



Sublime electro-pop from Yunioshi, the first single to be released from their eponymous début due later this year. Sleek and shiny, it reminds me a bit of FM Belfast, perhaps not surprising given that the track was produced in Reykjavik, and the band have played the Iceland airwaves festival for the past few years.

Yunioshi will be celebrating the release of the single with a gig supporting Wave Machines at Village Underground - see the flyer below for details.