Friday, 29 January 2021

Recommended music: 'Lost Themes III: Alive After Death' by John Carpenter

 


Arriving 5 years after volume 2, the third in John Carpenter’s ‘Lost Themes’ series finds him treading familiar territory. Subtitled ‘Alive After Death’, these may be original tracks rather than music composed for his films but it’s easy to imagine them soundtracking one of his signature style of movies. One look at the titles – ‘Dripping Blood’, ‘The Dead Walk’, ‘Cemetery’, Weeping Ghost’ – is enough to bring to mind plenty of gruesome images to fit nicely with the vibe he’s created here.

As with all of his recent work, the album is a collaboration with his son Cody Carpenter and his godson Daniel Davies. It’s clear that they have developed as a trio, in part by playing together on the road (I saw them live at The Troxy in East London on Halloween a few years ago), and John says that they can now “… communicate without words, and the process is easier now than it was in the beginning.” It’s nice to hear Davies let rip on the guitar every now and then as it brings a new dimension to the synth-led tunes. ‘Vampire’s Touch’ is probably my favourite track on here, for the way it starts off as a brooding synth piece and then turns into a pounding guitar driven monster.

I sometimes feel that Carpenter doesn’t receive his fair dues for his music and the influence he’s had on other composers and artists, from Cliff Martinez and Clint Mansell through to Hans Zimmer. If you’re new to his work and find yourself listening to this album and thinking ‘this sounds like X or Y’, then probably the reality is that X or Y actually sound like JC. And whilst his film-making career may be on hiatus, he can continue to make albums like this to inspire a new generation of synthwave artists.

 ‘Lost Themes III: Alive After Death’ by John Carpenter will be released on 5th February 2021 on the Sacred Bones label.

Thursday, 24 December 2020

2020 Review - Best Compilation albums

 In a bad year music is one of the few things that's kept me going. Here are my pick of this year's best compilation albums.

1. GU43 Joris Voorn: Rotterdam

Less a compilation album and more a work of art, this astonishing album brings together over 100 tracks in 2 continuous mixes. Voorn has taken all of the tracks, mixed and edited them so seamlessly, sometimes with 2 or 3 playing at once, that the whole thing feels like an album that he's written and played himself. If you get the download version with the separate tracks as well as the mixes there's over 11 hours of music, which is surely the best value for money album you'll buy all year.

2. Cafe Exil - New Adventures In European Music 1972-1980

Complied by the musical encyclopaedia that is Bob Stanley from Saint Etienne, this excellent compilation  provides the imaginary soundtrack for David Bowie and Iggy Pop hanging out in Kreuzberg's Cafe Exil in West Berlin in the 1970s. It's brilliantly evocative of the period and provides lots of unknown gems as well as one or two more well known tracks.


3. Late Night Tales: Khruangbin

The second Late Night Tales album to be released in 2020, this is expertly executed compilation that takes you around the world via 14 tracks that I can pretty much guarantee you'll have never heard before. It's hugely atmospheric and also works as a great companion to Khruangbin's own album from this year, 'Mordechai'.

4. Back to Mine - Fatboy Slim

As eclectically brilliant as only Norman Cook can be, this album mixes the Pink Panther Theme and the Go! Team, Dave & Ansel Collins and Manu Dibango and lots more besides, It's the perfect antidote to 2020's woes.


5. Late Night Tales: Hot Chip

With three new Hot Chip tracks, as well as their cover of The Velvet Undergound's 'Candy Says', this is a must for Hot Chip fans, or anyone else who appreciates quality music from the vast lake of Hot Chip's vinyl collection.

Saturday, 19 December 2020

2020 Review - Top Ten Electronic Albums

 2020 has been a great year for electronica - maybe it's because it's often made by individuals alone and in isolation, something a lot of people experienced this year. Here is my pick of the best releases.


1. Kelly Lee Owens - Inner Song

A brilliant mix of throbbing instrumentals and gentler vocal tracks, plus you won't find a better combination of Welsh legends than Michael Sheen being in the video for 'Corner Of My Sky', the track which features John Cale.


2. Caribou - Suddenly

The fifth album from Dan Snaith's Caribou is the best yet.

3. Four Tet - Sixteen Oceans

Totally uplifting and warm dance vibes.


4. Rival Consoles - Articulation

6 tracks of pure quality from Ryan West


5. Romare - Home

Another artist who just keeps getting better and better.


6. Darkstar - Civic Jams

A very personal and warm album from the duo.


7. Daniel Avery - Love + Light

An album recorded and released quickly during lockdown, with 2 distinct personalities - throbbing techno and ambient headscapes.


8. Against All Logic - 2017-2019

Another great collection from Nicolas Jaar.

9. Nathan Fake - Blizzards

A great slice of chunky electronica.

10. Luke Abbott - Translate

Modular synth loveliness from the depths of Norfolk.

Friday, 18 December 2020

Albums of the Year - 2020

 Let's not dwell on how crap this year has been. The dark times have at least provided me with more time to listen to (recorded) music, even if the buzz of live performances has been curtailed. Here are the records that stood out for me:


1. Sault - Untitled (Black Is)

The first of two albums released by the mysterious Sault this year initially draws you in through its brilliant production. It's hard to tell whether the music is mostly sample based, freshly recorded, or a mixture of the two, but it somehow has a timeless and non-geographic quality that means you could believe it was recorded in Bristol in the early 90s, or New York this year, or at any point in between. The lyrical themes are bang on the 2020 agenda, but they're more like a whisper in your ear than a punch in the face, subtly getting their message across. Their second album of 2020 'Untitled (Rise)' was a more upbeat affair but is equally worth checking out, but this one edges it for me. Powerful stuff.


2. Kelly Lee Owens - Inner Song

There have been some great electronic albums this year, but this is the clear winner for me. A great mix of throbbing instrumentals and more gentle vocal tracks, topped off with a guest appearance from John Cale and a belting cover of Radiohead's 'Weird Fishes'. I can't wait to experience this album live once we can all be together in dark sweaty rooms again.


3. Caribou - Suddenly

Caribou's fifth album is their most diverse and best yet. There's a warmth to the recordings that elevate them from bedroom electronica and the whole record has a surprisingly analogue feel. There are snippets and samples of other people's songs as well as what seems like Snaith sampling his own unreleased tracks to build into layers of different songs. Give it a few plays and it will become a familiar friend.


4. Mura Masa - Raw Youth Collage

I love the warmth and nostalgia of this record, and how it talks about a longing for times that perhaps seem look better looking back than they did as you were living them. With guest appearances from Wolf Alice, slowthai, Georgia and Clairo, it still manages to feel like a complete piece of work and was clearly a labour of love for him, especially the accompanying book. I'm surprised that this didn't really get highlighted in any of the big media end of year reviews, but it's one of my favourites even if no-one else recognises its quality.


5. The Avalanches - We Will Always Love You

Although the full album only appeared in December, a number of tracks had been released in the preceding months and already felt this was going to be a great record. And I wasn't disappointed - despite the plethora of guest performers this is a wonderfully cohesive record, full of warmth, with lots of soft moments as well as a few dancefloor boogies. The whole experience of it is like a having a duvet for your soul.


6. Working Men's Club - Working Men's Club

Syd Minsky, the driving force behind this band, is possibly the most driven and focussed 18 year old in the country at the moment, and certainly in the music business. Making music that sounds like New Order and The Fall chucked in a blender and whizzed back and forward in time for a while, he's somehow created a sound that feels fresh and new for people around his age, but warmly familiar for those of use with a few more miles on the clock. The last band I went to see before Covid struck, and the first I saw at a socially distanced gig afterwards, this is the debut album of the year.


7. Modern Nature - Annual

I'm not entirely sure if this is an album or an EP, but either way it's gorgeous. Like a modern day pastoral it evokes nature, countryside, the warm sun and just a general good feeling of being outdoors and experiencing life. Beautiful artwork too.


8. Moses Boyd - Dark Matter

The 'new jazz' scene in England shows no signs of getting old, and this year's breakthrough came for brilliant drummer Moses Boyd. The Mercury Prize-nominated 'Dark Matter' sounds current and classic all at once, with intricate rhythms and skilful arrangements. With a recent presenting slot on BBC's Jazz 625 programme, the future looks the opposite of dark for Mr Boyd.


9. The Wytches - Three Mile Ditch

Possibly the most surprising inclusion on here, I wasn't expecting this album to be anywhere near as good as it is. It's a real step forward for the band in terms of both melody and production - at times it sounds like Radiohead or The Longpigs, and yet it still has some full pelt psychedelic freak-outs on it. It's enough to make you fall back in love with guitar music again.


10. Disq - Collector

Talking of guitar music, here's an album full of fuzzed guitars, melodies and even a bona fide pop song or two, he 5 piece from Wisconsin conjure up vibes from Fountains of Wayne and Weezer as well as more recent acts like Bodega, and wrap everything up in a bundle of joy and energy.

15 more that nearly made the cut:
  • Everything Is Recorded - Friday Forever
  • Four Tet - Sixteen Oceans
  • Pottery - Welcome To Bobby's Motel
  • Lianne La Havas - Lianne La Havas
  • Crack Cloud - Pain Olympics
  • Rival Consoles - Articulation
  • Car Seat Headrest -  Making A Door Less Open
  • Romare - Home
  • Khruangbin - Mordechai
  • Bob Vylan - We Live Here
  • Run The Jewels - RTJ4
  • LA Priest - Gene
  • Westerman - Your Hero Is Not Dead
  • Against All Logic (A.A.L.) - 2017-2019
  • Bananagun - The Tue Story of Bananagun

Wednesday, 24 June 2020

Video of the Day: 'Block 9: Temporary Alternative Realities'



Continuing with the Glastonbury theme from earlier, here's a fantastic 30 minute film about the Block 9 late night area in the South East / Naughty Corner are of the site.

If you've never been to Glastonbury but think you know it from what's shown on TV then think again - imagine stumbling into this area at 1 in the morning and just seeing what you can find. If you ave been then you'll know how impressively constructed the area is, and what a great vibe you can find here.

Track of the Day: 'Love' (Kendrick Lamar cover) by Gengahr



Today is the hardest day of Coronavirus lockdown so far for me. By now I should already have my Glastonbury wristband on and be in Pylon Field setting up camp. The first two days would then be spent exploring the site, seeing what was new, and catching the smaller bands before the big stuff kicks off on Friday. Kendrick Lamar was due to headline Friday night and was definitely going to be in the pit for that one *sad face*.

By way of some slight compensation Gengahr have given us this great cover of Lamar's 'Love', which is great for listening too in the sunshine while trying to to cry too much.

Here's to Glastonbury 2021 - only 365 days to go!

Friday, 19 June 2020

Video of the Day: 'State Of The Union (STFU)' by Public Enemy feat. DJ Premier



Looks like Chuck D has made up with Flavor Flav. They're back together with some help from DJ Premier to deliver this coruscating attack on Trump and his Presidency.

"All we know is, Trump has gotta go..."

Let's hop this helps to achieve that aim, as well as signalling more new material from PE.